The most complex concepts used in this part of the article are percentage and rank (the serial number of a member of a descending numerical sequence), and only one graph. The second section will be somewhat more difficult to present. To begin with, we will determine which of the 2 functions – exponential or power – better describes the dependence of box office receipts of films on their rank. Depending on the solution of this question, we will use either Zipf’s (Auerbach’s, Lotka’s or Price’s) laws in the case of exponential dependence, or explore decreasing geometric progressions in the case of exponential functions.
It is interesting to note that considering
The sequence of box office receipts in the form of an infinitely decreasing geometric progression will allow us, in particular, to determine the Tanzania Email List maximum possible share of domestic cinema. If my memory serves me (I made similar calculations more than a year ago), subject to unlimited financing of domestic cinema, its share in the total box office tends to 37%. As you can see, all this is still very simple, 5-6 grades of high school. It will get a little more difficult. We will use the concept of geometric, exponential and Poisson distributions, which are known to have the Markov property.
From here we pass to one-dimensional
Lobachevsky spaces with negative curvatureAll this not always clear, certainly “stupidly mathematics” will allow us to determine the minimum length of the “tail” of the sequence of box office receipts of cinemas in the Russian Federation, thereby BX Leads theoretically substantiating the need to move from the long-tailed paradigm of the film screening market to the short-tailed one. subject to unlimited funding of domestic cinema, its share in the total box office tends to 37%. As you can see, all this is still very simple, 5-6 grades of high school.